“Imagine an ending”, said the counsellor. “See it as you want it, as you need it to be. Write your story and those in it as it should be in a just world”, she suggests. I think “no!”, it needs it to be real; a conversation with live faces across real tables, with a hug, a strong handshake, and a glance that lets me know it really happened in amongst the unreality of it all. Those conversations, as yet unsaid, will anchor me in truth, bathe me in facts and create a storyboard with pins and thread for me follow home. Those people, as yet unseen, will interpret it with me, a Watson and Holmes quest - in the room together as the facts reveal themselves. The institutions, as yet faceless, will now permit me to be a fly on the wall of those interviews where untruths were told. I need all this, I think, so that finally the lost threads are found, and I can write my story, now coloured with the gaps I have craved to fill; revealing me to myself. The words shared will help me to find my own. ……………………………………... Us women are left outside a system hoping that something or someone will ground us in the facts held at arms lengths- the facts about us, our assault, or experience. Many women who report sexual assault to the authorities face multiple hurdles. Some remain open to responding to this system that offers no guarantees for all we give to it. Others shut down before the act has concluded, resigning themselves to a painful silence in the hope it will be less so than the alternative public ordeal. The burden of proof lays solidly with us as we concurrently grapple with processing our own trauma. If we are able to share a palatable version of our story with other women, we soon realise how much worse it could have been. But we knew that already. Grading our experience with a perfunctory “at least”. It lives in us: this learned and inherited shame. We carry that burden before we are assaulted, and it is further cemented by the knowing glance or stern word spoken before we leave the house in those clothes. Later that night we are escorted to a beige room and asked to remove them all, still sticky with fearful sweat and told that without us in them, these articles might determine his guilt. There is always some authority acting as sartorial dictator, taking away our carefully chosen outfit with worried words or procedural hands. As such, we continue to hold the weight of their assigned moral value, and determine little of their impact, for that is decided by the viewer, whomever they may be in the room that day. ……………………………………... I am caked in heavy layers of dread, pending success or failure. Why did I start this thankless task? I enter another world, an office of sorts, where you catch a glimpse of the story not told to you, because by knowing you may contaminate the truth. Despite my bodily contamination, I am not permitted to know the full facts, as they say. The most personal and invasive event, prolonged by paperwork. This manufactured situation demands intimacy and yet requires, by law, complete professionalism. Their job, an often-thankless endeavour to find and prove the truth to a wig not made for this century. I try to picture my good egg behind the mask that doesn't fit his face. I saw more of him than ever before on our day in court. It was our day. I needed to see his eyes as he spoke; for the real-life connection to mirror the intensity of our past dealings. He is the only one who knows who I am in this. Until this happens, I float here, suspended in the delay, waiting to be anchored to the tangible earth beneath. To feel the bench and smell the varnish. To be present and audible. To be where life is being lived. We leave court and enter a room with my sister-in-assault. Kept apart for many months to protect us from further injustice. Unsure of the protocol and fearful of our matched pain, we join hands. We hug on my request – despite our fear of emotion and viral spread. How odd to have a thing such as this in common. To be joined together by an act of harm by a man with less years than us, so far away from home. We all came to this city with hopes - for opportunities – for a life beyond the limitations, however different, of our respective hometowns. Joined by this recurring act, we three meet again in a room filled with wood and plexiglass, unable to see beyond the thing itself. This dirty touch has smeared us all with a single colour, marking us out as dirt. Her wide face and open eyes meet mine in tears, a flood after a personal drought. Guilt shades my face pink – I wish she would cry. We share past fears and eventual overcoming and know from this moment on we are allowed to let go. The words have been spoken, by us, the good eggs, and the wigs. The ordeal is over, and permission is granted to lock our fear away with him in the middle of our land, far away from the hopes of this Eastern city. This is the end and the beginning.